Inspired by science fiction, Eivind explores the use of neon lights for his series. Instead of subjecting the models to the lighting; they take an active role, stabbing their bodies with luminous tubes. The geometrical composition creates a direct visual link between the images using pairs and triptychs.
“tête-à-tête” could mean an intimate dialogue or a private affair. On these series, the trio connects between them via an artificial light. The visualization of the phrase, the hyphens between words reflect the neon lights linked. The sexual charge becomes a forced exposure. The images will take the audience on a trajectory.